Monday, March 25, 2019

The New Yorker Magazine Essay -- essays research papers

The new-fashioned YorkerCOVER ANALYSISJuly, 1966 The cover of the July 2nd, 1966 interpretation of The sensitive Yorker includes artwork by Michael Getz. Displaying a show of patriotism, Getz uses the entire impute of the cover to present an illustration of an American flag hanging from the forepart of a typical upper-middle class designed home. However, other than the title of the mag and the drawing itself, the only other printed words contained on the cover argon the date of the issue and the legal injury of the magazine 35 cents. July, 1986 The July 7th, 1986 variate of The New Yorker presents a cover with a cartoon illustration of a fair sex holding a very large birthday/celebration cake. equivalent to the rhetoric of the 1966 issue, John Biechman uses the colors of red, white, and blue within the womans dress to portray the patriotic feeling of our Independence Day, The Fourth of July. In addition to the American flag colors within the womans dress and garment Biec hman includes a figure of the Statue of liberty on summit meeting of the cake to further express a feeling of patriotism. July, 1996 The July 8th, 1996 edition of The New Yorker once again includes the theme of nationalism with Jeremy Falcones image of the Statue of Liberty holding a sparkler fire work in its hand. interestingly enough Joseph Pulitzer, founder of The New York World & Pulitzer Prize, was partially responsible for obtaining the statue from the clownish of France. Pulitzer used his public influence and image to collect nickels & dimes from immigrants, convincing much(prenominal) immigrants the statue would be a symbol of their newly gained freedom. Moreover, even though the price of the magazine has gone from 35 cents in 1966 to $2.95 in 1996, the display and headline of the cover argon exactly the same as they were thirty historic period before (i.e. Plain and clear title of publication, no preview of articles included, and no running ads on the front page). ADV ERTISING ANALYSIS*July, 1966Alcohol/ snare A majority, if not over half of all the ads contained within the edition are pertaining to alcohol. In specific, gin appears to be the nigh popular and targeted pot liquor of the era, with the theme Dryer is Better. Evidence of how predominant such a theme was is Gancia, an imported Italian Ve... ...milar to that of the New Journalism techniques of the early 1900s. Articles on Medicare and President Policy are not likely to be amiable writings anymore, for The New Yorker seems to leave lightened its political agenda with time. Biographies and personal stories have replaced the political articles of the past, as The New Yorker has gone back to its traditional cautious roots as a high-culture/fine arts magazine. In conclusion, the most predominant theme throughout the publication of The New Yorker has been international travel. Those individuals kindle in traveling overseas are usually quite affluent, and are too attracted to the hist ory and art of culture around the world. The overwhelming mensuration of articles pertaining to foreign culture and arts are complemented by a behavior out of advertisements from airline companies, international hotels, and imported alcohol industries. A great way to analyze a publications ideal audience is to look at the advertisements center(a) the fine print. Although changing from time to time, The New Yorker has remained a magazine of high-culture taste, highlight lifes pleasure of art, travel, and history.

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